Spunk and bite by arthur plotnick

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College and Research Library News — March George Eberhart [A] bookful of remedies for literary listlessness, sprinkled with examples of ringing prose penned by wordsmiths from Poe to Proulx. The best writers have done it since Shakespeare, and their minor indiscretions were forgiven for the brilliance they produced. Jun 25, Katy Wilmotte rated it it was amazing. The discussion of subjects like Germanisms hyper-hyphenationneologisms, and enallage helped me apply logic to devices I already employ in my writing but have never examined from a structural perspective. Not only is this a welcome rarity among writing guides, but also makes it applicable not only to fiction writers but to anyone who writes at all.

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Ironically, Plotnik warns writers about the danger of alienating their audience with niche references and bloated exaggerations, then proceeds to use a few himself.

Spunk & Bite

White would be proud. As with most language, a great deal of how we talk and by extension, how we write depends on current cultural norms Hey you, yeah, you with the face. Are you interested in making your writing snappier? Hey you, yeah, you with the face. Dare to hope; this is one cover you can judge the book by. I realise proofreaders can miss things at times, but Plotnik lists amongst his other works 'The Elements of Editing'.








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